JOHN MAYER - SUBMARINE TEST JANUARY 1967, VIDEOCLIP by VIRGILIO VILLORESI from Virgilio Villoresi on Vimeo.
This is the music video to the song “Submarine Test January 1967” by John Mayer. I used a pre-cinema technique called ombro cinema to animate the drawings made by Virginia Mori. Everything was filmed in live-action, no post production effects were employed.
Director: Virgilio Villoresi
illustration: Virginia Mori
dop: Marcello Dapporto
producer: Davide Ferazza
camera assistant: Edoardo Mari
assistant: Carlo Cossignani & Elisa Ghiretti
color grading: Claudio @Band
Prod. Co.: Withstand
Portentous from Sasha Schotzko-Harris on Vimeo.
My second year film at CalArts! It is a stop motion film, captured with a Nikon d5100 using Dragon Software. Put together in After effects.
CELLOGRAFF part1 from iKanoGrafik on Vimeo.
CELLOGRAFF part1
cellograff.com/musique: Tao Haceka
images: Chrixel & Tat PGC
intervention: Astro & Kanos
montage: iKanoGrafik.
A supercell near Booker, Texas from Mike Olbinski on Vimeo.
Find more of my work here: mikeolbinski.com
Also follow me on Instragram for storm photos and whatnot - instagram.com/mikeolbinski
Still print of this storm can be found here if interested: gallery.mikeolbinski.com/stormchasing/h6015e87e#h6015e87e
Technical deets: Canon 5D2, Rokinon 14mm 2.8…first three clips were at 1-second intervals = 880ish photos, the last sequence was around 90, 5-second exposures
Music by Kevin MacLeod - incompetech.com/
——————-It took four years but I finally got it.
A rotating supercell. And not just a rotating supercell, but one with insane structure and amazing movement.
I’ve been visiting the Central Plains since 2010. Usually it’s just for a day, or three, or two…but it took until the fourth attempt to actually find what I’d been looking for. And boy did we find it.
No, there was no tornado. But that’s not really what I was after. I’m from Arizona. We don’t get structure like this. Clouds that rotate and look like alien spacecraft hanging over the Earth.
We chased this storm from the wrong side (north) and it took us going through hail and torrential rains to burst through on the south side. And when we did…this monster cloud was hanging over Texas and rotating like something out of Close Encounters.
The timelapse was shot on a Canon 5D Mark II with a Rokinon 14mm 2.8 lens. It’s broken up into four parts. The first section ends because it started pouring on us. We should have been further south when we started filming but you never know how long these things will last, so I started the timelapse as soon as I could.
One thing to note early on in the first part is the way the rain is coming down on the right and actually being sucked back into the rotation. Amazing.
A few miles south is where part two picks up. And I didn’t realize how fast it was moving south, so part three is just me panning the camera to the left. During that third part you can see dust along the cornfield being pulled into the storm as well…part of the strong inflow.
The final part is when the storm had started dying out and we shot lightning as it passed over us.
Between the third and fourth portions we drove through Booker, Texas where tornado sirens were going off…it was creepy as all heck. And intense.
I hope you enjoy this. Once thing I’ve learned about timelapsing is that I always wish it would be longer or wouldn’t end. I wish I had been south and been able to record this storm come at me for 45 minutes.
But I love it the way it is. I wasn’t ever certain I’d see structure like this even though it’s been such a goal of mine. But we did it.
And by we, I mean myself and my buddy Andy Hoeland, who knows his crap and got us into position so we could chase this storm. Without him along I don’t know if I get this timelapse.
Exit from Rebel Banana on Vimeo.
Once upon a midnight dreary, while Mike, the ever grumpy debt collector, left work weak and weary. He then finds himself in a dark basement car park where silence sleeps. All that could be heard is the echo of his footsteps hitting against the cold, hard concrete floor, and the autopay machine, rumbling. No he is not alone. Not at all.
Do like and share our facebook page at: facebook.com/exitRB
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“Exit” is an action comedy done by a team of 6 fresh graduates from The One Academy, Malaysia.
We are called the Rebel Banana.
It took approximately 1 year for us to complete this film from pre-production to production and final.Phua Cardin
phuacardin@hotmail.com
vimeo.com/itscardinAndrea Goh
andreagoh_av@hotmail.com
vimeo.com/andreagohYap Wee Lim
willybudds@hotmail.com
vimeo.com/weebasaurusVictor Tan
watyouwan_huh@hotmail.com
vimeo.com/user12249583Chua Pei Gin
peigin123@hotmail.com
vimeo.com/user12676134Chua Pei San
teddysan333@yahoo.com
vimeo.com/user12676899Music by Patrick Woo [soundcloud.com/patrickwoo] and Khye Mun [soundcloud.com/clement0429]
Bonobo : Pieces [Feat. Cornelia] by bonobo http://bit.ly/130JAas
London in 1927 from Tim Sparke on Vimeo.
Incredible colour footage of 1920s London shot by an early British pioneer of film named Claude Friese-Greene, who made a series of travelogues using the colour process his father William - a noted cinematographer - was experimenting with. It’s like a beautifully dusty old postcard you’d find in a junk store, but moving.
Music by Jonquil and Yann Tiersen.
The lovely people at the BFI have got in touch and it turns out the film was made in 1926. They have lots of other footage from his film, The Open Road on their YouTube channel up here bit.ly/1920sEngland. More background on this here bit.ly/1077PVK.
Fred from Misha Klein on Vimeo.
Fred is a personal stop motion short. It got finished thanks to many friends, bank loans, and credit cards. I devoted spare time between jobs, moving the sets and puppets from one city to the next zig-zagging the west coast from LA to Seattle.
FOX Sports - The Gus Effect from Arcade on Vimeo.
“The Gus Effect”, by FOX Sports Marketing, features the lovely FOX Sports broadcaster Erin Andrews.
It’s directed by Biscuit’s Mike Maguire and is edited by Arcade’s Paul Martinez and Greg Scruton.Brand: FOX Sports
Product: College Football on Fox
Title: “The Gus Effect”Agency: FOX Sports Marketing
Agency Location: Los Angeles
CMO: Eric Markgraf
Group Creative Director: Robert Gottlieb
VP On-Air: Bill Battin
EP: Jason Dodd
Copywriters: Robert Gottlieb, Steve Lewis
Audio: Jim MitchellProduction Company: Biscuit Filmworks
Director: Mike Maguire
Executive Producer: Colleen O’Donnell
Producer: Laure Stevens
DoP: Matthew Lloyd
Production Designer: Alexis RossEditorial Company: Arcade Edit
Producer: Amburr Farls
Editors: Paul Martinez, Greg Scruton
Assistant Editor: Ryan SeegersPost Production Company: MassMarket
Executive Producer: Lexi Stearn
VFX Producer: Nick Fraser
VFX Supervisor: Andy Jones
Lead Compositor: Lane Jolly
Lead 3D Artist: Andy Jones
Compositors: Lane Jolly, Sven Dreesbach, Gavin CampTelecine Company: MPC
Colorist: Mark Gethin
SLO Down Wines - #GoesGreatWith Threesomes from Arcade on Vimeo.
SLO Down wines is a small winemaker in the heart of California’s wine country. But their attitude is very different from the rest of the stuffy wine industry. They believe wine should be for everyone, the 99%, not just the elites. And while everyone knows the concept of “wine pairings,” the guys at SLO Down have a very different take on what their wine goes great with. This campaign is a series of short films that shows suggested and suggestive pairings for what their wine goes great with.
Client: SLO Down Wines
Campaign Title: Goes Great With
Spot Titles: “Threesomes”, “Equestrianism”,“Horticulture”Production Company: Harvest Films
Director: Baker Smith
Executive Producer: Bonnie Goldfarb
Head of Production: Niko Whelan
Producer: Leslie OwenEditorial Company: Arcade Edit
Editors: Paul Martinez and Dean Miyahira
Managing Partner/EP: Damian Stevens
Executive Producer: Nicole VisramOnline: Airship Post
Music: Critical Mass
Composer: H. Scott Salinas
Sound Design/Mix: Tobias Enhus
SLO Down Wines - #GoesGreatWith Horticulture from Arcade on Vimeo.
SLO Down wines is a small winemaker in the heart of California’s wine country. But their attitude is very different from the rest of the stuffy wine industry. They believe wine should be for everyone, the 99%, not just the elites. And while everyone knows the concept of “wine pairings,” the guys at SLO Down have a very different take on what their wine goes great with. This campaign is a series of short films that shows suggested and suggestive pairings for what their wine goes great with.
Client: SLO Down Wines
Campaign Title: Goes Great With
Spot Titles: “Threesomes”, “Equestrianism”,“Horticulture”Production Company: Harvest Films
Director: Baker Smith
Executive Producer: Bonnie Goldfarb
Head of Production: Niko Whelan
Producer: Leslie OwenEditorial Company: Arcade Edit
Editors: Paul Martinez and Dean Miyahira
Managing Partner/EP: Damian Stevens
Executive Producer: Nicole VisramOnline: Airship Post
Music: Critical Mass
Composer: H. Scott Salinas
Sound Design/Mix: Tobias Enhus
SLO Down Wines - #GoesGreatWith Equestrianism from Arcade on Vimeo.
SLO Down wines is a small winemaker in the heart of California’s wine country. But their attitude is very different from the rest of the stuffy wine industry. They believe wine should be for everyone, the 99%, not just the elites. And while everyone knows the concept of “wine pairings,” the guys at SLO Down have a very different take on what their wine goes great with. This campaign is a series of short films that shows suggested and suggestive pairings for what their wine goes great with.
Client: SLO Down Wines
Campaign Title: Goes Great With
Spot Titles: “Threesomes”, “Equestrianism”,“Horticulture”Production Company: Harvest Films
Director: Baker Smith
Executive Producer: Bonnie Goldfarb
Head of Production: Niko Whelan
Producer: Leslie OwenEditorial Company: Arcade Edit
Editors: Paul Martinez and Dean Miyahira
Managing Partner/EP: Damian Stevens
Executive Producer: Nicole VisramOnline: Airship Post
Music: Critical Mass
Composer: H. Scott Salinas
Sound Design/Mix: Tobias Enhus
Stuck in The 40’s by Tcoop http://bit.ly/12AkO0C
BUNRAKU : Opening Sequence from Guilherme Marcondes on Vimeo.
Opening animation for Guy Moshe’s film ‘Bunraku’, narrated by Mike Patton.
SXSW 2012 Audience Award Winner in the TITLE DESIGN COMPETITION
FULL SCREEN recommended
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Directed by Guilherme Marcondes
Produced by Hornet Inc.
Executive Producer: Michael Feder
Producer: Hana ShimizuAnimation
Producer: Jan Wohrle
Lead Compositor: John Harrison
Compositors: Yussef Cole, Julien Koetsch, Arthur Hur
Storyboard Artists: Tom Lintern, Carlos Ancalmo
Character Design: Rafael Grampá, Mike Luzzi
Background Design: Morgan Schweitzer
Character Animation: Mike Luzzi
Additional Animation: Frank Summers, Keng-Ming Liu
Editor: Joe SuslakLive Action
Director of Photography: Toshiaki Ozawa
Live Action Producer: Joel Kretschman
Assistant Director: Jeff Lazar
1st Assistant Camera: Scott Maguire
Gaffer: Michael Yetter
Best Boy: Rich Ulivella
Key Grip: Joe Mandeville
Art Director: Ryan Heck
Asst. Art Director: Andy Byers
Set Design: Andrezza Valentin
Puppet Fabrication: K&Z Studio Inc., Adam Parker Smith & Carolyn Salas
Puppeteers: Adam Pagdon, Ulysses Jones, Megan McNerney, Celli Clemmons
Production Assistants: Matthew Churchill, Rick Matera, Connie Li Chan